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New Era Community (1926) - 149:
To observe the movements of the consciousness one should take photographs of physical radiations. This process of photography must be carried out very precisely. You have heard about the visible symptoms of illness, of their being reflected on photographic prints. Besides these perturbations there may be observed, as it were, blue spots floating in the field of radiation. One may know that the consciousness is being condensed in these moments. Then a photograph may show something like flaming streams sweeping away the blue condensations, which means that the hero is ready for the next achievement. From an accurately made photograph of such radiations there could result an important popular understanding of the concealed qualities of man's organism. New Era Community (1926) - 149:
One might even provide a so-called fully scientific institute, where each passer-by could enter, sniff at the screen and the plate, and inspect the sleeves and pockets of the operator. Nowhere is there to be any deception; indeed, it will be as one would wish it to be - clear, free of charge and with the permission of the government, and without the requirement of a preliminary bath. But the last is not easy, because for the photograph it is necessary to rub the body strongly with alcohol - to remove perspiration. Heart (1932) - 106:
106. The chief perplexity lies generally in the question about why people cannot see the Subtle World with the physical eye. But, of course, it is because the eye still cannot master the transmutation of ether. Imagine a photograph taken against a window; one can never succeed in receiving a clear image of the inner objects or distant outlines. So, also, on leaving the dark and going into the sun, we often are blinded and struck by the force of the blue light. By multiplying these light manifestations ad infinitum, we get the light of the Subtle World, which to an unprepared eye appears as darkness. So, too, sometimes people are perplexed about why some seemingly limited persons have visions of the Subtle World. First of all, because even though they may have lowered themselves at present, in the past they performed some purifying action; in other words, their hearts at some previous time were already awakened. It is especially remarkable that the quality of the heart does not disappear; it can be manifested very one-sidedly, but it will nevertheless be potential. Heart (1932) - 465:
For photographing the aura other, mechanical methods are also useful. Before taking the photograph it is useful to take musk, which stimulates the currents of energy. It is useful to have a black velvet screen and to manifest solemnity if it is feasible. It would naturally be absurd to crowd the room with casual, curious visitors. It is necessary to cleanse the very atmosphere of the room with eucalyptus oil. Thus, not only the occult conditions but the purely hygienic ones should be foreseen. Fiery World - Book 2 (1934) - 437:
437. One of the most visually beautiful fiery actions will be the convergence and divergence of auras. This beauty can be likened to that of the Northern Lights, and in it is expressed a multitude of psychological moments. One may observe how carefully the radiations draw near, how the protective network palpitates and flashes, as a preliminary to resounding harmoniously or to becoming darkened. The full and complete life, its chemism and magnetism, is concealed in the space and about a man. We await the time when people will begin patiently to photograph auras. Then it will be possible to observe the movement of light on a cinema screen, when the film will reflect the sequence of movements of the aura. You know that for successful photographing many subtle conditions are required. Often even a physically uncomfortable room can yield good results. You have excellent prints of subtle beings, photographed under ordinary conditions. Also, you know that when you decided to improve the physical conditions the photographing failed. The chief factor of success lies in internal, invisible circumstances. One must apply great patience, and exclude any irritation or wavering. Any fiery chaos merely darkens the film. Also, there will be no especially clear visions when there is a confused frame of mind. But when the necessary harmony is reached the photographing will be easy. Many external conditions can have an influence; therefore it is better not to bring in new objects once the needed vibration has been established. And disorderly exclamations are also harmful. The principle element is patience.
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